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This research aims to explore the semantic differences accompanying the affirmation of (Alif) and its omission from some of the words that appeared in the Qur’anic calligraphic script in two different ways according to the Mus’haf of Medina, despite the agreement of their pronunciation according to the narration of Hafs from Asim, and among those words (imam/bi’imamihm) (almi’aada/almi’aadi) (mihad/mihada) (sha’iri/sha’ira) (ayyami/bi’ayyami) (altamatheelu/tamathela).
The research attempts to scrutinize the semantics of these words in their Qur’anic contexts, with the help of linguistic dictionaries, and digging in the origin of the books of interpretation, and the Ottoman Calligraphic Script, aimed at linking the Qur’anic context and the specificity of the significance in the accompanying calligraphic script.
The research used the analytic descriptive method, and words were described according to its various calligraphic scripts in the Noble Qur’an, and traced the sayings of linguists and the opinions of interpreters in their Qur’anic contexts with contemplation on the precise meanings and architecture of building the words in affirmation of (Alif) and its omission, and the research concluded that semantic differences accompany the Alif omissions. And in proof of the words studied according to what was mentioned in the Noble Qur’an and stipulated in the Ottoman calligraphic script books.

Keywords: Ottoman Calligraphic Script, Drawing and meaning, Semantic differences, The Koran, Context.

The researcher studies a sample of the ancient Arabic words that appeared in the poetry of Jarir. This is due to the prevalence of these words in the urban Dhofari dialect in the south of the Sultanate of Oman, paying attention to the scarcity of these old words in dialectical use in the regions of the Arab world. Almost complete in Diwan Jarir.

It is worth noting that the research focused on the study of colloquial expressions in the dialect of the people of urban Dhofar only, and this does not mean that the words of other dialects in Dhofar such as Shahriyah (Jabaliya), Mahari and Habibiyya were not mentioned in the Diwan.

He relied on surveying the Diwan of the poet Jarir to find out the old words that are still alive and common in the dialectal use of the people of the Dhofar Governorate in the south of the Sultanate of Oman. The researcher of ancient dictionaries to control these words morphologically and semanticly, with an explanation of the complete congruence between the two words in classical and dialect, and the minor differences, if any.

Keywords: poetry – Jarir - Dhofari – dialect – Diwan.

This study is concerned with chronicling Al Rafei's language & poetic purposes by tracking his application of the theory of evolution (Darwin's theory), in which he tried to link the Arabic language and poetic purposes to the theory of evolution. Therefore, the study investigates the theoretical foundations and philosophical premises on which the theory of evolution is based. Further, the study discusses the reasons that prompted Al Rafei to write in the history of literature on one hand, and to apply the theory of evolution on the other hand. It also strives to seek Al Rafei's methods in applying this theory in the history of pre-Islamic poetry and the Arabic language in Andalusia, as well as his application of the theory in the history of poetic purposes, trying to reach the issues that confronted Al Rafei’s attempt to apply this theory. Thus, it enables the study to identify the reasons of which historians who came after him did not pay attention to his approach to the history of our Arabic literature.

Keywords: The theory of evolution, chronicling language & poetic purposes, Al Rafei.

Language forms the structure of the text, in which it is assumed that the consecutive words are coherent and logically constructed, reveals a certain connotation or vision of the author of the text, and may be synonymous with a philosophy that reveals the thought of the author of the text and the spirit of the era in which he lives, and the values of society, within the framework of the seven generally accepted textual criteria in textual science, Among them are cohesion and coherence; hence, the aim of this research was towards the grammatical casting through pronouns and its relationship to weaving in a group (like a bird dreaming of rain) by the Omani poet Yunus al-Busaidi.

The problem of research has stemmed from the assumption that there is a cohesion and coherence of the poet influenced by the Ancients, has this been achieved for him through his use of pronouns?



To achieve this, the group was extrapolated using the textual linguistics methodology; hence, the research came in three topics - nclude search terms and what the blog is about, cohesion with pronouns exophora or endophora and its relationship to coherence - preceded by an introduction, followed by a conclusion and a list of sources and references.

One of the most important things included in the conclusion was the poet's interest in various means of Anaphora, especially linkage with pronoun; hence, he was seeking to tighten the relationships between parts or concepts in the texts of his collection through Anaphora by pronoun of various types, whether this is an anaphora, cataphora or exophora.

One of them is that the discourse or text is Yunus al-Busaidi himself in the poetic text; and then the linguistic formation comes as a reflection of what the poet or writer wants in a style in which the poetic meanings are supposed to be formed in the poetic text.

Keywords: Criteria -text - Anaphora-pronouns-Younis Al Busaidi

This research deals with the subject of the journey in modern Omani poetry through the poem “Rakhout Tourism” by Abi Al-Sufi, where the word “tourism” denotes the purpose of the trip. During the place element due to the importance of this element in the poetry of the journey and the narratives in general, as there is no other than the place there is no journey or tourism, and the importance of the place in the poetry of the journey goes beyond the idea of journey and tourism to become a condition for the existence of the text. And the place studied in the research is the actual space of the trip as mentioned in the text of “Rakhout Tourism”. The research consisted of an introduction, six chapters and a conclusion. The introduction mentioned the field of research and its supposed scientific importance, and the first topic was concerned with the journey in modern Omani poetry through the experience of the poet Abi Al Sufi. The second is the field of research, its subject and goal, and the third topic explained the research methodology and the concept of place and its importance in the poetry of the journey, the fourth topic revealed spatial scenes in the text, and the fifth topic studied the types of place in the text, and the sixth topic analyzed the means of depicting the place in the text, the conclusion determined the results reached by the research.

Keywords: trip, tourism, poetry, Omani, modern.

This study seeks to study the terms associated with the herding profession, this is because every profession has its own vocabulary and terminology associated with it, and the demise of this profession may lead to the death of the words associated with it, and its abandonment. Therefore, this study sought to document these words and clarify their meanings in the Omani society, and in the city of Rustaq in particular, and to interview the connotations of these words. , including what is mentioned in the mothers of Arabic dictionaries; Let us clarify the privacy of the Omani society, in its words and the semantic phenomena associated with these words.

Keywords: grazing, vocabulary, lexicon, Rustaq.

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